Chronic disease doesn’t take a day off. I learned that lately when I talked to Wendy McDonough. She spends time each day managing her heart condition, PTSD and multiple immune deficiencies. More of that work has fallen on her own shoulders during the coronavirus. Here is her story.
There are stories all around worthy of being preserved. In your own life there are certainly tales of family, career and community. The stories that make up a life can be recorded, edited and shared with friends now and future generations, well, in the future.
Contact me to discuss what stories you would like to capture for yourself or to share.
RecollectionAgency@yahoo.com / (816) 514-5146
One must have privilege to shelter-in-place. Those with service sector, utility and health care jobs are required to be at work even if this work requires contact with the public. This is a story of one woman who is working during the virus. She is not afraid rather feels lucky.
Thanks to Donica Butters.
Music: ‘Dummy’ by David Fesliyan.
Anyone can gather stories from the loved ones, elders and influencers in their lives. With some curiousity and a mobile phone most folks can preserve the stories that matter.
The phone part is easy: Mobile phones are owned by 96% of Americans. Smart phone ownership hovers somewhere north of 80%. Recording on a cell phone alone may not net you the best audio possible, but it can be quite good if you sequester you and your subject in a quiet space.
When I gather someone’s recollections of a life or a time I do some basic planning. After a client agrees to proceed, I schedule a pre-recording planning meeting. This get-together allows me to meet with my client. Together, we identify and clarify our interview topics, and craft those questions that will elicit the stories we want to capture.
Gathering peoples’ recollections has, of necessity, changed in the coronavirus era.
Before we all sheltered in place, my recording process generally involved some travel. Most recordings I’ve done with my business are in private homes. Once arrived, I’d set-up my kit. The kit includes a portable recorder with a pair of microphones cabled to it; One mic for the clients, the other for me.
My earmuff-style headphones let me hear just the audio being captured by the microphones. We silence all phones, turn off the noise-makers in the house – fridge, furnace, ice-maker – and set to work. One by one I ask the questions that the client and I wrote together during our pre-recording meeting. I ask in advance if it is okay to go off script and probe if a certain area seems like fertile ground for good stories. Folks generally agree to that request.
BOOM! Add the coronavirus to the mix and you have a new challenge to be addressed: how to gather recollections in a socially distant manner?
Face-to-face, in-person interviews are temporarily verboten. As a work-around, I have recently done socially distant recordings using Skype and Recordator. Both provide more than adequate audio. I hear Zoom meetings are also recordable, but have not recorded via that platform. Yet.
I write about all this now because I feel some urgency to gather stories that matter. I feel urgency because people around me are dying. The world is going to come out of the other end of the coronavirus with less people. Many less people. All those people are full of stories worth being told and preserved. When we die our stories die with us and in 2020 living at the peak of civilization as we do, well, this just does not have to be so.
Maybe you have someone who has been significant in your life. (I would hope so.) Have you spoken with them lately? Have you ever thought of asking them to let you record their life story? What about a memory of a significant time? These memoirs don’t have to be lengthy discussions or require an elaborate recording set-up. The stories you want to gather can be collected in multiple sessions.
If someone you know has a story that matters to you, I encourage you to sit down and gather these recollections now while you still can. I share all this because I truly want to democratize folks collecting stories from those they love.
Earlier I noted some services that can help you record your stories that matter. There are many existing online resources that can help you collect recollections of your parents and grandparents, your siblings and cousins, your neighbors and business partners, among others. Great guidance on interview tips and sound quality come from StoryCorps. The Oral History Association has a free guide for introducing oral histories into classroom settings. Getting explicit permission to record someone is always a good practice. Here’s a sample consent from the oral history program of the State Historical Society of Missouri.
If you need some questions to use as a conversation stimulator, check out this list of 50 questions from the Dallas Jewish Historical Society.
Now, go get those stories. This day, this week, this month are great times to do so. You probably have some additional free time right now.
If I can ever help advise on a recording session, I am glad to help. Contact me at RecollectionAgency@yahoo.com or call me on my landline at (816) 514-5146 and leave a message.
As a kid, I loved a rush as much as the next guy. I recall joining my cousins on the top of the six-foot high wooden swing-set their dad had recently built for them as they took turns jumping off the top and daring me to join them. Rope swings into the creek were always my jam. I loved climbing trees as a kid and still do when the mood strikes me and the right tree presents itself. This is my story of how saying yes to thrill-taking led to a life-long dent in my nose, an impact that stares back at me every day in the mirror. It is an event that literally made me who I am today.
In the summer of 1980, I was busy being nine years old. I hated my little brother for no transgressions on his part except he existed. Heath and I enjoyed our weekend visits with our Dad, Charles. Heath and I didn’t see Dad and his new wife, Tanya, every other weekend (as my parents’ divorce ruling allowed), but we did see them regularly. When he still lived in Missouri, our visits happened at his house in Columbia. Sometimes we went to the home of his new bride’s parents near Kansas City. On those visits, he would shower us with toys and exciting experiences. Children’s Palace! World of Fun! Clints Comics!
We’d return home to our Mom who always seemed glum about the result of what I saw as an otherwise stellar weekend. We didn’t understand then that she lacked the resources to regularly take us out for pizza or to amusement parks. It was against that backdrop that Dad took us go-carting.
Today, I am not conscious of the mechanics of how I drive or bicycle or walk for that matter. I have done those things for so long that when it comes time to do them, well, I just do them. Riding a bicycle is unconscious for me. Sure, I need to know where I am going and intentionally choose a safe route there, but how I ride is baked into my brain. There was a time when each of us did not yet know how to walk, bike or drive. This story is set in the era when I did not yet know how to drive.
One sunny, summer afternoon, on one of those Dad-sponsored trips, my father drove us through the Lake of the Ozarks. We may have been on our way home from one of our visits to Table Rock Lake. The green Datsun truck snugly held me, my Dad, his new wife Tanya and my brother Heath. We pulled into the parking lot of a go-cart track. I can’t remember if it was planned or the result of my pleading, but there we were.
Rows of pint-sized open-topped go-carts awaited me. I was naturally eager to learn how to drive and at 10 couldn’t seriously engage any mentally competent, sober adult to let me practice with their car. My Grandpa’s lawnmower was the closest thing I knew to driving thanks to the loud motor that drove the blade that cut the lawn where the green grass grew all around all around and the green grass grew all around. I digress.
Cash exchanged hands and I was soon behind the wheel of My Very Own Go-Cart. The track worker told me that one pedal was for gas and one was the brake. I did not take note. As soon as the man said, go I stomped on it. The steering wheel quickly made sense. Turn left to move left and right to head to the right. My Dad, Tanya and Heath (at five he was too small for the track’s carts) watched me from the snack bar. I covered the small go-cart track quickly in my ride, so I went around again. And again.
At one point, the track worker stepped onto the edge of the track. My time was up. I was thrilled. “Step on the brake!” he yelled. I just gassed it more. I legitimately didn’t understand brake vs. gas pedals. I went faster. The next time I came around to the start/finish line the track worker trotted out and ran alongside me. “Use the brake pedal!”
I went faster instead of slower. My speed soon eclipsed my ability to control the cart.
If it were a comic book (and it should be) there would be a sound effects balloon where my cart came in contact with the tires lining the track. The contact drove the back side of the cart up into the air and violently down again. There were no helmets as I recall. I was lucky I didn’t flip my go-cart. My face took the force of the impact and specifically my nose. When my Dad dropped me off at home on Sunday evening he sheepishly had to explain to my Mom why my nose was blue. She was, again, unimpressed with the outcome of our visit with our Dad.
Now almost 40 years after that fateful day, I still don’t ride go-carts. That probably is due to the fact that I aged out of the demographic and presently live in a go-cart desert. I also still sport a flat spot on the bridge of my nose. It is a constant reminder of my imperfection. It is familiar. My wife told me the other day she had never noticed how asymmetrical my face is. She may not have noticed had we not been in the early stages of a self-quarantining experience brought on by the threat of catching COVID-19 virus.
Stories are important. They define who we are. I sometimes think about that day at the lake of the Ozarks go-cart track when I think about how it was to grow up in a broken home in the late 1970s and 80s in the American state of Missouri. I started my business as a way to capture peoples’ stories whether life-changing or the mundane patterns that shape us. The business serves as an extension of why we make movies with our phones or take pictures at weddings. We want to remember the times we have lived.
-Trevor/March 16, 2020